
Alright. The claim is that the figure to Christ's right is none other Mary Magdalene, Faithful Disciple. Furthermore, Da Vinci supposedly put her in the picture in support of the secret knowledge that Jesus and Mary were a married couple, or at the very least, "an item". The Church, in order to cover this up, instead labeled the figure to Jesus' right as an effeminite St. John, the Gospel writer.
Historical Background
- Leonardo Da Vinci was a man of extraordinary talent and intelligence. Not many historical figures can claim being a labeled a genius in both art and science by posterity. In fact, I can't even think of one. His love of art and science also put him at serious odds with the Church, who he didn't think much of anyway.
- The Catholic Church in the 15th century is a firmly masculine organisation. The Catholic Church is as arrogant as ever. And the Catholic Church is as corrupt as ever.
My Thougts
Fine. The figure could be a woman.
Fine. The figure could be Mary Magdalene.
Fine. I'll even buy the letter "v" possibly being in the painting as a nod to Da Vinci's feminism.
Am I supposed to be upset about all this by now...?
The Last Supper is a painting by the hand of a man who at the very least enjoyed pressing the Church's buttons and at best had a full fledged agenda. For me, if it is true that he painted Mary to stick it to the Church, then I'm disappointed that Da Vinci lacked the integrity to paint what he was being paid for and leave it at that (since there was no saying "no" to Rome back then). At the very worst, the painting drops some places down on my list of respected Christian art because its historical accuracy is in question. But beyond that, it doesn't bother me in the least that she may be the one in the painting (or with Jesus in any other pieces of art). Mary Magdalene was just as important a disciple as John the Apostle and let's move on.
I'll also add this: If the Church commissioned a painter who already gave them a piece they weren't at all happy with (Madonna of the Rocks), what are they doing commissioning him again? Especially someone with the wit of Da Vinci? The Church got what it should have expected.
Also, accepting that the figure may indeed be Mary Magdalene, the fact that the Church covered up the figure's identity is hardly reeking of conspiracy. As mentioned, the Church--heck society--was completely dominated by men. And on top of that, Mary had been labeled a prostitute and thus "a most disgusting sinner". Of course they would have covered up the identity!
So the story The Last Supper tells us is one of complete arrognace, stupidity, greed, obsession, vanity, prejudice and slander on the part of Rome. The Catholic Church's non-Biblical rejection of "the woman" is the reason for all this controversy we have now with The Da Vinci Code. And not just the book, but also the modern day sexual scandals. Wherever the Church got the idea of absolute chastity for its priests and church workers, they did not get it from the Bible. But of course, they had the luxury of illiterate believers. The whole theological history of the Papacy is a tragedy, for Christians and non-Christians alike.
And Leonardo was no fool. He knew where to hit the Church where it hurts. I might even believe that, in his genius, he knew the result of the Church's incompetance would reverberate for centuries to come. And it has.
The Verdict
No conspiracy here. Just the typical The Vatican versus The Renaissance battle. The real loser here is Da Vinci, who cannot defend his work. If you're a Gnostic or someone who believes in the "divine feminine" well then my guess is that Leonardo is easily one of your patron saints. But in the end, it's a painting and it can be interpreted to mean (and now depict) just about anything the human mind wants it to. That is the double-edged sword that is art.
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